It is without doubt the best sounding, most versatile, most inspiring live rig I have ever played. With all this in mind about 9 months ago I embarked on building a 2 keyboard system – one weighted, the other unweighted – centred around a Mac Mini, Novation Remote SL 61 MK2 and a Roland RD64 and I’ve published a 2 part video on how I got it all to work. Behringer have teased us with the long promised Motor series but they are yet to appear. The closest product that exists today for this is the Novation Remote SL MK2 series featuring updatable LCD screens. While there have been a number of excellent studio based control surfaces that provide visual feedback – like Mackie Controls, there has been little or no development of this functionality for the live performing keyboard player. If you go with the Mac Mini the issue then becomes getting adequate controller visual feedback since you’ve lost the laptop screen that was this – which brings us to point #2. You can even expand your show with prerecorded backing tracks. Everything from the Sound Library and Smart Controls youre familiar with from Logic Pro X is integrated into MainStage. A Mac Mini is a much more cost effective and robust option. Apple MainStage makes it easy to bring to the stage all the same instruments and effects that you love in your recording. Because laptops are fragile you don’t want them hanging around up near the keyboards when performing because it’s a vulnerable position for them to be in. #2 is that most MIDI controller manufacturers either do not offer the ability for visual feedback on the controller sent from the computer, or if they do it requires a closed communication system to get it to work. #1 is that most people (and Apple themselves) think the best computer to use for it is a laptop – but it’s not. Personal experience and multiple different hardware/ computer setups has taught me that what lets it down is two things. Logic works like that, because it makes sense in a sequencer, but Mainstage is a live tool. make clicking a channel strip somehow affect which channel strip receives MIDI input. Better sounds, more control assignments on a per patch basis, splits, layers and lots of other good stuff. 20 points I doubt if its possible at all to make Mainstage work like you want, i.e. It offers many real benefits over any hardware keyboard system. It implements in software everything I had ever wanted or wished for when performing live with multiple keyboards for the past several decades. Probably a little more complicated than it has to be, but that's Apple Professional Creative software for you.I love Apple’s MainStage software. In the layer editor you can choose key ranges for each instrument by clicking and dragging. Then you can go to Layer Editor, which is on the Edit screen, click a track and the Layer Editor for the keyboard that the track is mapped to will be an option at the bottom. Now when you play that keyboard, it will play all of the instruments that have that MIDI port selected. Then go to two or more instruments and set them both or all to the same MIDI port. Has anyone got any experience with a Nord Stage and how I might go about using the inbuilt keyboard sounds for one patch and then Mainstage sounds for another patch More Less Macbook Pro, 2.66 GHz, i7, 4GB, Mac OS X (10.6. If you want to play more than one instrument with a single physical keyboard, then first make sure you have an on-screen keyboard mapped to the MIDI port. If you have three physical keyboards and three different instruments, then you can just select a different MIDI port for each instrument and then each keyboard controls a single instrument. Under midi input, select keyboard: YOUR KEYBOARD NAME. You would think the next step would be to map an instrument to a keyboard, but no, you go back to Edit view and map instruments to MIDI ports in the channel inspector for the instrument:Ĭlick the instrument channel strip. Whether you are on the main stage, DJing a house party or live streaming. What you've already done is gone to the Layout tab, added on-screen keyboards, clicked on them and then selected a separate MIDI port for each one of them. SoundSwitch allows users to control DMX and Philups HUE lighting using their. A guy named Eric Barfield has a tutorial here: I actually couldn't figure it out and had to use my web search skills. It seems so easy once you know how to do it.
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